![]() a two-track segment of your mix), run it through LANDR and see how it sounds through the A/B preview. Try this: bounce a shorter test file (e.g. Breathing space helps bring out the dynamics. Don’t add compression, limiting or any other extra processing on the mix. ![]() Prepping your DJ mix for mastering is similar to preparing individual track premasters: Prepping your DJ mix for mastering is similar to preparing individual track premasters LANDR is perfect for taking care of the heavy lifting, adding a final polish and boosting the overall sound. Going through an entire DJ mix to adjust or automate audio levels can be tedious and difficult. Don’t overlook podcasts, Mixcloud, or SoundCloud as ways to accompany interviews on XYZ website. A good mix is a key way to raise your profile. Mixes are like calling cards for your artistic personality. LANDR is loading… How about mastering DJ mixes or live recordings of DJ sets? Is there anything else I need to think about? Some recording interfaces restrict the number of tracks you can record at the same time if the sample rate is at a higher setting.Higher sample rates require more storage space, which may be an issue if you’re trying to share files on a service like Dropbox.Higher sample rates may slow your computer down, leaving you fewer tracks and plugins to use.Using higher sample rates – like 96 kHz – has its advantages, but there are a few practical considerations: The standard sampling rate for audio recordings is 44.1 kHz (or 48 kHz if the song is going to be used with a video). What you upload to LANDR will dictate what you get back, so make sure to bounce an uncompressed version in either a WAV or AIFF format. Standard bit depth is 24-bit, which is exceedingly good for any real-world application. Output your mix at exactly the same sample rate and bit depth as your session. Match the sample rate and bit depth of your recording session when bouncing your mix. LANDR is loading… What sample rate and bit depth should I bounce my mix at? Just pulling down the master channel fader on a blown out mix will not create space for mastering. Keep in mind that headroom is affected by every channel and plugin in your strip. If you absolutely have to use them, make sure the output gain is low and the meter on your master bus peaks at 3-6 dB below zero. They interfere with LANDR’s EQ, compression and stereo enhancement.Unless absolutely integral to the vibe of your recording, we recommend not using dynamic processors such as compressors or limiters on your master track. LANDR is loading… Should I compress or limit my mixdown? Try a test by outputting three mixes with different levels of headroom and listen to how they sound with the engine.įor tips on how to increase headroom, check out this blog post. In essence, you’re creating space for processing in the master. Leaving ample headroom actually makes your tracks bigger and more open. Think of headroom as a ‘safe zone’ or space for the loudest peaks (transient peaks) to extend fully without clipping and sounding harsh. We asked the LANDR team a few questions about how to get the best results… LANDR is loading… The LANDR process is automated, but preparing your files for the service is essential to get the most out of it. Mastering with LANDR is an extremely simple process – just drag and drop your finished mixes, pick your desired format, personalise your intensity and you’re on your way – but much like any tool, there are ways to get more out of the service.Īny good mastering engineer will give you advice on how to prepare your files to make sure your tracks end up sounding as good as they possibly can. Follow their six tips for the best DIY mastering results. Even if you decide to pay month to month, those mastering credits roll over, so you can get 36 fully mastered WAVs per year, which is probably more than enough for your average hobbyist.We asked the team at LANDR for advice on how to get the most from their online mastering service. Yearly subscribers also get a host of third-party VSTs from companies like Arturia, Audiothing, Cableguys and Baby Audio and get unlimited mastering. For $20 a month, or $150 for the year you get 20 sample credits per month, access to the company's FX suite, its Chromatic sample instrument, DAW streaming and collaboration tools, three WAV masters a month, unlimited MP3 masters and unlimited distribution to services like Spotify and Apple Music. LANDR Studio aims to be an end-to-end solution that can take your musical project through its entire journey from creation to release. LANDR is now bring all of those disparate tools together under one plan that also includes unlimited access to its well-regarded AI-powered mastering service. If you're a music maker, chances are you've signed up for a music distribution service like DistoKid, maybe you have a subscription to a sample depot like Splice, and even pay monthly for an instrument like Output's Arcade.
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